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Adopting playrights is no laughing matter

Guardian Theatre Blogs
Monday 04 May, 2009

Response to Alfred Hickling's post criticising the Adopt-A-Playwright scheme, on whose panel I sit.

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Fin Kennedy's incredible disappearing act

Daily Telegraph
03 October, 2008

Interview with Dominic Cavendish about HOW TO DISAPPEAR COMPLETELY AND NEVER BE FOUND, prior to its London premiere.

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Can theatre change immigration law?

Guardian Theatre Blogs
02 July, 2008

Blog piece about my research process for UNSTATED for the Red Room Theatre Company, and whether campaigning political theatre can ever have an effect.

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Interview with Australian Stage

Friday 17 May, 2008

Interview about HOW TO DISAPPEAR COMPLETELY AND NEVER BE FOUND, in the week of its Australian premiere in Melbourne.

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Q&A with Alison Croggon of Theatre Notes

20 May, 2008

Interview about HOW TO DISAPPEAR COMPLETELY AND NEVER BE FOUND, in the week of its Australian premiere in Melbourne.

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Q&A with Natasha Tripney

Friday 27 June, 2008

Interview about UNSTATED at Southwark Playhouse with Natasha Tripney for MusicOMH.com, in which I give some background to the show and talk about its political aspirations.

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Opening Access

Thursday November 15, 2007

Sofie Mason article in The Stage quoting my arguments for a more inclusive theatre funding culture.

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Enlightening Entertainer

Wednesday August 01, 2007

Society Guardian interview about Mehndi Night and my other community work.

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My Big Break

Tuesday March 27, 2007

Guardian feature by Maddy Costa about my career so far.

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39th John Whiting Award Presentation Speech

Thursday October 27, 2006

A plea to keep the award going, from a young playwright whose life it changed.

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In Defence Of Pirate Radio

Tuesday August 01, 2006

A response to Mark Flanagan's article in The Stage, July 31st edition, page 30

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West End Story

Tuesday May 9, 2006

The Legacy of John Osborne's Look Back in Anger. (I didn't write this, I just get a mention).

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'We're taking a risk just by writing for the stage'

Wednesday March 15, 2006
The Guardian

Theatre directors are calling on young playwrights to be more ambitious. Hang on, says Fin Kennedy - we're not the ones who lack vision

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Teacher wins coveted prize for the play that theatres turned down

Friday February 24, 2006
The Times

By Dalya Alberge, Arts Correspondent

A TRAINEE teacher followed in the footsteps of Tom Stoppard and Edward Bond yesterday by winning one of the most coveted theatre writing awards in Britain — for a play that was turned down by every theatre in London.

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'Ditch the mumbling smackheads!'

Wednesday January 7, 2004
The Guardian

We asked Britain's leading young playwrights what's wrong with UK drama - and how they plan to fix it.

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A sympathetic ear

Wednesday June 25, 2003
The Guardian

By Raekha Prasad

Fin Kennedy spent three months talking to members of a profession more usually talked about. Hours of taped conversation - every pause and cough - were transcribed meticulously. At the end, he was left with 10 accounts by voices rarely sought, describing work rarely understood.

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Interview with Sarah Dickenson of writernet

March 2006

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